Making a Custom Book Cradle: My First Conservation Workshop

On May 16th I had the pleasure of attending my very first conservation workshop entitled Book Cradles for Reading Rooms and Exhibitions by the Conservation Center for Art and Historic Artifacts (CCAHA) hosted at the Ewell Sale Library and Archives at the Academy of Natural Sciences of Drexel University.  Renee Wolcott, Book Conservator and Mellon Fellow at CCAHA, led the demonstration with assistance from CCAHA’s Education Program Manager, Stephenie Schwartz Bailey.  There were 15 participants, including myself, from the tri-state area.

Ms. Wolcott began our morning with a slideshow explaining vulnerable book mechanics and a brief history of the book from medieval times to the present day. She explained how binding has changed throughout the centuries and how that has affected the aging of books. We then moved on to a discussion of the importance of book cradles, where to purchase them, which materials are best for rare books, and, lastly, how to construct them yourself.

Book cradles are an essential part of a library’s arsenal to maintain our precious collections. Rare books have a number of sensitivities that must be taken into consideration to assure the item is being handled and exhibited as safely as possible. Wolcott explained that a book is “happiest” when closed. They’re built closed, whether sewn or glued, and the opening and closing of them puts stress, even with the slightest use, on the spine. Over time, the spine can begin to break down. This is especially common in older volumes but is still prevalent in newer items. Sometimes, a book may have very stiff pages that require the use of a book strap to keep it flat. A book strap is a thin piece of plastic, generally made out of polyurethane or polyethylene, which can be wrapped around the text block to hold it open for viewing. Some books have glued spines, some have weak paper that can pull out from the spine, and some have weak joints. Book cradles assure that the right amount of support is given to the book to prevent further damage.

There are many commercial book cradles available for purchase. Unfortunately, not all of them are made from things that are good for your books. For approximately $500, you can purchase a beautiful mahogany book cradle from an Internet supplier. Even though it is visually appealing, it is not only high in price but wood can “off-gas”, meaning it will release chemicals and, in turn, potentially damage the item it’s supporting.  Do your research before purchasing book cradles! You’ll want to look for something that supports the entire book including the spine and is made of a material that will not break down over time or release harmful chemicals. Polyethylene and acrylic are great alternatives.

On a budget? You can make your own! How to construct your own is exactly what the workshop was about. With an inexpensive rag-based mat board, you can make custom book cradles for just about anything in your collection. Ms. Wolcott provided each participant with a piece of board, an x-acto knife, a ruler, triangle, scissors, archival double-sided tape, and a pencil. Each person was given a copy of the “Hardy Boys”, to work with.  You begin by finding the position in which the book can open without fighting back, it’s comfortable resting point. Then, draw the template based on how the book will be open. (See images below) The entire process takes about 15 minutes between the measuring, cutting, and folding.  Just about anyone can build a cradle as long as you can hold a ruler and an x-acto knife! The process is primarily based on scoring the board and folding into either a mountain (up) or a valley (down) based on the shapes of your item and they way it’s spine needs to be supported.

Above diagrams from a handout provided by the CCAHA.

 

Ms. Wolcott and her assistant were very helpful, friendly, and open to all questions. The workshop was highly informative and a very pleasant experience. Please visit the CCAHA website for more information on workshops and seminars.

My template:

Template for my cradle.

This is the template I drew up based on the book they gave me. I was given the title page to display which is why the left side is so much higher than the right. The left page is not important to the viewer.

My cradle without book:

Finished cradle.

Side view of finished cradle.

My cradle with book:

Finished cradle displaying book.

The book pictured above is Out of the Dust by Karen Hesse, Greenfield Open Stacks 813 H463o 1997.

 

Interested in book conservation or restoration? Please take a look at the following titles in the Greenfield Library:

1. Basic Book Repair with Jane Greenfield [videorecording] written and directed by Mark Schaeffer; produced by Visual Education for the H.W. Wilson Company.

Greenfield Videotapes GV17

2. Bookbinding & Conservation by Hand: A Working Guide by Laura S. Young.

Greenfield Open Stacks 686.302 Y85b

3. Books, Their Care and Repair by Jane Greenfield

Greenfield Open Stacks 025.7 G837b

4. Simple Repair and Preservation Techniques for Collection Curators, Librarians and Archivists

Greenfield Open Stacks 025.84 G956sr 1981

 

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Library staff recommendation: Whole Green Catalog

Whole Green Catalog: 1,000 Best Things for You and the Earth
Edited by Michael W. Robbins, Introduction by Renée Loux, Forward by Bill McKibben

Greenfield Open Stacks 640 W62r

Whole Green Catalog is a manual written in tidbits for living a greener lifestyle. From cleaning and gardening to medicine and pet care, Whole Green Catalog takes you by the hand and explains just how easy it is to keep our planet in mind in our everyday lives. It’s bigger than recycling; it’s about eco-friendly design and assuming responsibility for the mark we make on our planet.

There are tips on raising backyard poultry, growing your own food, and finding the most energy-efficient products. Did you know using your dishwasher may actually be saving water? Newer models (made within the last ten years or so) may use as little as half the energy and one-sixth the amount of water needed to wash dishes by hand!

 

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Bob Moog Inducted into the Inventors Hall of Fame

At the end of March 2013 Bob Moog was honored with an invitation to become a 2013 National Inventors Hall of Fame inductee by the United States Patent and Trademark Office. The honor is given to individuals who have “conceived, patented, and advanced” technologies affecting change in the modern world. The invention holds the Patent No. 3475623 and is usually referred to as the Moog Ladder Filter, the first voltage-controlled filter. It is this basic version of dynamic filter controlled at the keyboard—and pioneered in the Minimoog Synthesizer—that enables the electric pulse beating through nearly all modern mass-commercial popular music, from Kraftwerk and Michael Jackson to Brian Eno and Dr. Dre. For the announcement and more information, go to <http://moogmusic.com/news/bob-moog-inducted-inventors-hall-fame>. Also, see the Music Library’s holdings relating to Bob Moog and his synthesizers.

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UArts Libraries Summer Borrowing and Access

The UArts Spring 2013 semester ends on Friday, May 10. Spring semester goes by so fast! If you are graduating, PLEASE make sure that all your library materials are returned and that all your fines are paid. Unreturned/unpaid items will be billed to Student Financial Services on Monday, May 13. Library materials are UArts property and should be taken seriously. View your library record yourself at https://catalog.library.uarts.edu/patroninfo~S1/ or come in to the Greenfield or Music Library and talk to us.

Greenfield Library entrance, Anderson Hall

Greenfield Library entrance, Anderson Hall

On the positive side of graduating, once you get your UArts alumni ID card from Alumni Services you’ll have borrowing privileges again! Please review the alumni policy carefully, as it’s not the same as for currently enrolled students.

If you are a returning student pre-registered for Fall 2013, you can borrow during the summer – note that word “during”. Regular borrowing periods still apply: 3 weeks for undergrads, 6 weeks for grad students. Here’s what you have to do:

The UArts Music Library

Students enrolled in summer session courses must present their student ID with a valid summer sticker. In addition, students who:

* return all checked-out materials
AND
* pay all outstanding fines
AND
* are pre-registered for Fall 2013

may borrow library materials during the summer. Summer hours will be posted on our library hours page.

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The Digital Public Library of America launches!

April 18, 2013 : The DPLA launches!

As part of the ever-expanding role of libraries in the digital age, the launch of the Digital Public Library of America (DPLA) must count as a remarkable event. Fully open, that is, without any gated components whatsoever, the DPLA will provide platforms for contributors to build on, with the almost mystical goal of amassing and making available all manner of information sources, with an emphasis on that which is not currently accessible, thus multiplying the benefits of the Internet for generations to come.

Anyone of us who at some time has valued primary sources—correspondence, working papers, diaries, minutes, inventories, genealogies, photographs, maps, blueprints, sound recordings, in sum the documented traces of human history—has occasion to celebrate this “greatest digital history project of all time” as those steering at the helm envision it. Inspired by Europeana Library and the Trove Project of Australia, and vastly more capacious than commercial initiatives such as Google Books, the DPLA not only has partnerships underway with a myriad state and university archives, but also with the national libraries of France, Ireland, Great Britain, Netherlands, Germany, and Norway.

Innovations such as “Workstream” collectives charged with governance, finance, and constructive channeling of input, to say nothing of the idea of the “Scannebago” (a mobile scanning unit designed to be sent out to digitize local archives), have engendered a certain excitement. A chronicle of how the idea got off the ground, owing to the efforts of the Berkman Center for Internet & Society at Harvard University, has been cheerfully and succinctly outlined by Robert Darnton in the New York Review of Books:

(1) http://www.nybooks.com/articles/archives/2011/nov/24/jeffersons-taper-national-digital-library/?pagination=false

(2) http://www.nybooks.com/blogs/nyrblog/2010/oct/04/library-without-walls/

(3) http://www.nybooks.com/articles/archives/2013/apr/25/national-digital-public-library-launched/?pagination=false

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Library staff recommendation: The Dharma Bums

The Dharma Bums
by Jack Kerouac
Greenfield Open Stacks 813 K459d

The Dharma Bums, written in 1958, is one of Kerouac’s greater works, in my opinion. It follows the story of Ray Smith (Kerouac), a gritty young man travelling about with nought but his rucksack, and his friend Japhy Ryder (poet Gary Snyder) as they explore the meaning of zen and life in jazz clubs and on mountainsides. A number of other notable figures appear as well, including Allen Ginsberg (as Alvah Goldbrook) and Neal Cassady (as Cody Pomeroy). To me this book is an ideal companion for those seeking some truth in themselves and in nature. I  believe there is something zen-like that occurs when The Dharma Bums is read in the company of grass, birds, and sun. The rhythm of Kerouac’s prose always reminds me of spring.

Dharma [dahr-muh, duhr-]
noun Hinduism, Buddhism.

  1. essential quality or character, as of the cosmos or one’s own nature.
  2. conformity to religious law, custom, duty, or one’s own quality or character.
  3. virtue.
  4. religion.
  5. law, especially religious law.

Zen [zen]
noun

1. a Japanese school of 12th-century Chinese origin teaching that contemplation of one’s essential nature to the exclusion of all else is the only way of achieving pure enlightenment.

 

Recommended by Casey Murphy

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ARTstor Digital Library drops Java: upcoming changes in ARTstor

ARTstor will be performing an upgrade on Tuesday, April 16th between 6:00 AM and 1:00 PM that will eliminate the need for Java in the ARTstor Digital Library. After the upgrade, single image downloads will be delivered as Zip files.

Users downloading single images will receive a Zip file that contains a JPEG image and an HTML file with the image information. ARTstor has step by step instructions on how to download single images as Zip files here. Mac users should have no problems opening the Zip files, but Windows users may need to install new software. ARTstor recommends 7-Zip, available free at 7-zip.org.

The change to Zip downloads will only effect single image downloads; image group downloads into the Offline Image Viewer will remain the same.

During the upgrade, ARTstor will still be accessible, but users may experience some slowness. If you experience any difficulties after the update, please clear the cache on your browser and restart your image browser. If you have any questions or concerns about using ARTstor, please contact Laura Grutzeck, The Visual Resources Librarian, at lgrutzeck@uarts.edu.

 

 

 

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Library staff recommendation: Furoshiki: The Art of Japanese Wrapping Fabric

Furoshiki: The Art of Japanese Wrapping Fabric
By Kanako Hamasaki, Kazuya Takaoka
and Hiroshi Yoda
Greenfield Open Stacks 746.0952 H172f


“Beginning in nothing and ending in nothing.”

Furoshiki are traditional Japanese wrapping cloths used to transport wares or to decorate and protect gifts. These promote caring for the environment and reducing waste. They represent varying symbolic meanings and often convey compliments or feelings of thanks as well as politeness, dignity and respect. They are designed so they display beautifully when wrapped and the methods used to do the wrapping can also convey a whole language of meanings.

This book features 160 pieces of furoshiki from the collections of manufacturers in Kyoto, Miyai, Okaju and Chiso.

Recommended by Barb Danin

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Library staff recommendation: Stray Bullets

Stray Bullets: Volume 1 “Innocence of Nihilism”

Written and illustrated by David Lapham

Greenfield Open Stacks 741.50924 L314s v. 1

David Lapham’s Stray Bullets is the comic equivalent of film noir, stories told in stark black-and-white, about desperate people unable to foresee the consequences of their violent actions. Lapham is a master at character design and rendering, creating a unique world out of the imagery of 1970’s urban and suburban America, where violence is both random and destined at the same time. The stand out story in this collection is ‘Victimology,’ where a young girl must deal with her own violent impulses after witnessing a brutal crime.


The Greenfield Library also has Stray Bullets: Volume 2 “Somewhere Out West” (Greenfield Open Stacks, 741.50924 L314s v.2). Both volumes are available for immediate check out.

Recommended by Mike Sgier

Recommended by Mike Sgier

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A Chapter in the History of Visual Music (a Music Library mini-exhibit)

Wassily Kandinsky, "Impression III (Concert)", 1911. Inspired by Schönberg's "First and Second String Quartets, opp. 7 and 10".

It is now a century since the term “visual music” was coined, by the artist and critic Roger Fry, to describe paintings by Wassily Kandinsky that seemed to incorporate a temporal dimension, a sense of embedded timelines, in which viewers followed spiraling sequences to their cadential ends. Long before electronic composition and cinematography, artists of many stripes pursued the emancipation of noise—luminous as well as acoustic—in settings that downplayed linear narration.

 

Excerpts from the vocal score for "Erwartung", piano reduction by Eduard Steuermann, former faculty member of the School of Music (Philadelphia Musical Academy) Music Library Open Stacks M1503 .S365E7

Many paths radiated from here—the anti-music of Futurism, the sound poems of Dada, sound-color projection, gestural abstraction—but the Music Library is pausing to commemorate an early Expressionistic work when none of those paths was yet foreseen. Upon hearing the experimental scores of Arnold Schoenberg, Kandinsky initiated what turned out to be a lasting friendship with the composer, who in turn contributed articles to Kandinsky’s publication Der blaue Reiter, as well as participated, with paintings of his own, in exhibitions of works by members of Kandinsky’s circle. Our focus is Schoenberg’s monodrama Erwartung (Expectation), an exercise, as Schoenberg acknowledged, in visual music-making.


Excerpts of Erwartung performed by the De Nederlandse Opera in 2005.

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